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Style overview

Reggaeton is Puerto Rico's urban groove, and its core is the dembow — a 3-3-2 kick pattern looping across the bar, with kick and snare in fixed positions forming the foundation of the whole song. It sits at 90–100 BPM, often absorbing trap's 808 low end and chopped hi-hats, with vocals trading freely between rap and singing. Its identity is all in the dembow's steady repetition and low-end pressure rather than melodic richness — the dominant shape of Latin American urban streaming today.

Sound characteristics

Tempo: Mostly 90–100 BPM, with trap-fused versions dropping to a half-time 70–85 feel
Time signature: 4/4, with the dembow pattern (a 3-3-2 kick grouping) running throughout and the snare or clap looping in fixed positions
Instrumentation: Built on the dembow drum loop and 808 sub-bass, with chopped hi-hats and short synth stabs for color; almost no real hand percussion
Vocals: Free movement between rap and singing, often with autotune and improvised pregón; emotion worn openly, diction riding the beat
Song structure: Verse–chorus–rap section–chorus; the hook is short and sticky, the form compact, with doubled choruses common

Use cases

Urban club and peak-hour party sets
Short-video dance challenges and beat-sync edits
Brand marketing aimed at young Latin audiences
Fitness and high-intensity training
Street-style and trend lifestyle content

FAQ

Are reggaeton and reggae the same thing?: No. Reggae is Jamaican, built on a backbeat with off-beat accents and a slow groove, instrumental and guitar-driven. Reggaeton is Puerto Rican urban electronic, built on the dembow's 3-3-2 drum loop with near-pure digital drums and 808 bass. Shared prefix, but the rhythm pattern and instrumentation are entirely different. "Dembow 3-3-2 loop, 808 sub-bass" is reggaeton.
How do I write the dembow pattern into a prompt?: Write "4/4, kick grouped 3-3-2 in a loop, snare or clap fixed on beat 4 and its off, 90 BPM," not just "reggaeton beat." The dembow's identity is that fixed loop, and the style name alone may not land the right pattern. Naming the grouping and beat positions is what holds it.
It comes out too trap-like and loses the dembow — what now?: Force the dembow to lead: "dembow drum loop runs through the whole track, 808 only as floor, hi-hats chopped but not dominant, avoid trap-style long sliding 808 glides." Reggaeton's low end is steady support, not trap's melodic 808 stabs, and the dembow loop can't get buried by trap's chopped hats. Naming the hierarchy is what keeps it authentic.

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